“We do not forgive a woman aging. We demand that her beauty never change. Because we have associated femininity with silk, satin, flower, lace, veil, a woman is not allowed to acquire the beauty of a stone piece. The slightest wilting is tragic in women because we make it so. A woman’s skin has to rival the flower, it is the rivalry among the elements we associate with women which prevents the transition to some other kind of beauty.”

(Source: Flickr / daniellepeterson)

"Perfection is static, and I am in full progress."
Anaïs Nin
Mendocino, CA / liquid emulsion on watercolor paper

Mendocino, CA / liquid emulsion on watercolor paper

Becomingness, tintype 

Becomingness, tintype 

hautekills:

Kate Moss at Chanel haute couture f/w 1993

hautekills:

Kate Moss at Chanel haute couture f/w 1993

(via heckbeck)

excerpt from Les Blank’s Burden of Dreams (1982), a documentary about the making of Werner Herzog’s film Fitzcarraldo.

zenderoglu:

 liquid emulsion studies  \

images from my old conceptual project is called “CUT”. 

model: Lana Pineda Kohn

photographed and styled by Zeynep Enderoglu

+more : http://www.flickr.com/photos/zenderoglu/

BISOUS LES PETITS! 

Rashomon (1950) Akira Kurosawa

Rashomon (1950) Akira Kurosawa

gpoy: finals edition

gpoy: finals edition

Slacker (1991) Richard Linklater

Slacker (1991) Richard Linklater